Second, the first track, "As If You Said Nothing", which has vocals and lyrics, is utterly hypnotic and mesmerizing, and perfectly captures the gritty vibe of the film. 19 tracks, so basically, Symphony for Isabelle Part 1-19. They're not separate musical pieces that are all numbered and individually named, but rather the entire thing is called "Symphony for Isabelle", and it's split into parts. The first unique thing was the naming of the tracks. The score matches the film in being visceral, dark, suspenseful, intense, emotional, and very action-oriented in some tracks. And mind you, remarkable doesn't mean happy or uplifting. Armstrong crafted something enticingly unique, heart-pounding, relentless, dark, and even sad, with his remarkable music here. Many action films are usually more formulaic when it comes to the score, having the standard generic action cues of course, and sometimes trying to add interesting elements to the mix as well. But one of the most surprising things about the film was how amazing its score, by the talented Craig Armstrong, was. This is, hands down, one of the best action films - and Jet Li films - ever, and really catapulted his popularity to American audiences. But that doesn't mean that all the amazing scores during this period got their just appreciation and time in the spotlight. From Gladiator, The Da Vinci Code, to Requiem for a Dream, Spider-Man, and Pirates of the Caribbean, there was certainly no shortage of incredible music composed for movies during the first decade of the new millennium. And the equally legendary Hans Zimmer and James Newton Howard gave us the Batman scores of a generation, including the iconic theme for Heath Ledger's Joker. We had the adventures of middle-earth unforgettably brought to life with Howard Shore's legendary music. And Johnny Depp gave us the immortal Jack Sparrow.īut running in parallel to all of these momentous changes was the creation of some of the most memorable, incredible, iconic, and classic film scores ever. Martin Scorsese finally won one of the most overdue Oscars ever. Mel Gibson shot himself in the foot (figuratively) after resurrecting Christ and the Mayans. Zack Snyder was unleashed upon the world. Vin Diesel drove his way into pop culture iconography. The Twilight series held a brief sway over the minds of young audiences. The MCU got its official start as we know it. Superhero films, led by the X-Men and Spider-Man, started their eternal dominance. Gladiator single-handedly revived the historical epic. Many ground-breaking movies emerged across the decade that developed seismic legacies, such as The Dark Knight trilogy, the Harry Potter franchise, and the aforementioned LOTR trilogy. Significant developments in technology and filming tools gave way to incredibly ambitious and unforgettable undertakings like Avatar and the Lord of the Rings films, as well as The Matrix sequels, and movies like 300. yep, the coming of the 2000s held the promise (and to some, a threat) of nearly everything changing across the board, evolving, coming anew, and things would never be the same.Īnd boy did the new era deliver on that promise! Especially in the entertainment industry! The 2000s brought a near-historic change in cinema. But for pop culture, there was more of the excitement permeating rather than anxiety, as huge advances in filmmaking were bubbling, giving way to promises of incredible barrier-breaking films around the corner new musical genres fermenting and ready to explode onto the stage fashion trends shifting all across cultures, brands, and lifestyles video games taking the next step in virtual dominance as consoles were foreseen to bear closer resemblance to hi-tech machines rather than simple blocks or cubes, in their evolution, and with games themselves seeming more alive and in depth than ever new technology development inspiring a feverishly excited and somewhat ominous look at the near future.
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